The research titled "Al-Taifi Majrour: A Performative Canvas Blending Singing and Movement in Saudi Arabia’s Intangible Heritage" presents an academic study of Al-Taifi Majrour, one of the most prominent traditional performing arts in the Hijaz region, particularly in the province of Taif.

Majrour is a comprehensive collective art form that combines folk singing, live rhythmic percussion, and synchronized group dancing, performed by participants wearing a unified traditional costume consisting of the Huwaisi robe, Al-Qasab 'Iqal, and Masabat.

The study is structured around two main chapters. The first chapter explores the historical origins and definition of Al-Taifi Majrour, tracing its tribal roots and development within the Taif community. The second chapter examines its evolution, performance techniques, and various models, offering an in-depth analysis of its performance mechanisms, the roles of participants, and the distinctive rhythmic and kinetic elements of the art form.

Additionally, the research investigates the rhythmic structure of Majrour, focusing on the roles of the Rukn (group leader) and the drummer in maintaining harmony between rows. It highlights the importance of central rhythmic signals such as “Dum” and “Tak” in guiding movement and vocal performance.

The study further addresses the poetic diversity of Majrour lyrics, covering themes ranging from love poetry to pride and praise, which together shape the lyrical content of this rich heritage.

The research adopts a historical, descriptive, and analytical methodology, concluding with recommendations to document and promote this traditional art form through national festivals and cultural programs.